PAST PRODUCTIONS
Featuring:
Alex Levy
Catherine Mullins
Eduardo Olmos
Juliet Kapanjie
Madi Tower
Nawaf Nooruddin
Oliver Demers
Sam Ellis
Taylor Turner
Zac Porter
Alison Wien
Anna Mikami
Claire Alexander
David Klein
Katherine Banos
Kira Kull
Mari Vial-Golden
Michael J. Bevan
Morgan Knight
Shelby Coleman
Sophia Tupy
SAY YOU LOVE SATAN
by Roberto Aguirre-Sacasa
Directed by Meggy Lykins
Stage Managed by Alice Verderber
Andrew is a good person. A little selfish, and a little lazy maybe, but basically good. As a graduate student he lives in Baltimore, working towards his Ph.D. in Russian Literature. He has a beautiful boyfriend, a fiery best friend, and an ex-boyfriend who's worse than evil - so all in all, everything is relatively normal. Average. Some would even say good. And then one night, like hitting a cold spot in the ocean, he meets Jack. Beautiful, fascinating, enticing, strange, alluring - Jack. After an unforgettable night and a dizzying love affair, dawn breaks and Andrew must confront Jack as he truly is. He's forced to question, as we all inevitably must: What is it to be good? What is it to be evil? And which one am I dating?
TITUS ANDRONICUS
by William Shakespeare
Directed by Nikomeh Anderson
When Roman general Titus Andronicus returns from war with only four of his twenty-four sons, revenge leads innocent and evil alike to their darkest and bloodiest depths.
Utilizing a female heavy, physical and ensemble based process, this production of Titus Andronicus explores societal roles assigned by gender, race, and status. Each character, despite the blood lust pervasive in the text, is not just purely good or bad, black or white, feminine or masculine, but as humans, complex and treading between both subversive and conforming societal roles. We explore this complexity with a technique by Mary Overlie, founder of the 6 viewpoints, that deconstructs the play and allows greater freedom of character, meaning, and expression than in more traditional productions. As time is cyclical and societal roles are pervasive, this production explores these connections between Shakespeare's time and intention and how this relates alongside our modern socio-political landscape.